The star journey of the new generation comedian Qin Xiaoxian from the Deyun Society resembles a crosstalk drama filled with twists and turns. From being exposed by his ex-girlfriend to receiving support from the leader Guo Degang for a comeback, this crosstalk actor, who carries the aura of a “pure boy,” is experiencing the most magical turning point in his career.
Chain of Exposures: The Collapse of His Persona
The catalyst for this turmoil originated from a series of accusations by his ex-girlfriend Xin Yuxi. In September 2024, this actress from a prestigious dance academy revealed shocking claims of “infidelity during pregnancy” and “false rich second-generation status,” causing the perfect facade of Deyun Society’s top star to shatter instantly. Xin Yuxi shared chat records showing that Qin Xiaoxian had borrowed her resources to create a wealthy persona, and it was even revealed that the suits he wore for concerts were purchased by his girlfriend. More dramatically, netizens discovered that his family was involved in multiple loan disputes, and the so-called “rich second-generation” aura was merely a carefully crafted theatrical effect.
In the face of a tsunami of public opinion, Qin Xiaoxian’s team chose to remain silent, with Deyun Society only responding with an official statement about “strengthening artist management.” This silence tactic sparked polarized reactions, with fans initiating the topic “Protect Old Qin” in forums, while onlookers flooded the live streams questioning “when will he retire?” Interestingly, three months after the incident erupted, Qin Xiaoxian suddenly appeared at Deyun Society’s closing performance, and his low-profile avoidance of cameras was interpreted as a “social death scene,” yet unexpectedly garnered overwhelming support from loyal fans.
Leader’s Strategy: Survival Rules in the Crosstalk World
Guo Degang’s crisis management skills are textbook-level. In early 2025, he appeared in a live stream with his beloved disciple to announce a significant plan—Qin Xiaoxian would take on the lead role in the play “Qingqing Misunderstands Me.” This adaptation of Guo Degang’s solo crosstalk into a Republic of China drama not only allows Qin Xiaoxian to cross over as a down-and-out scholar but also arranges for him to engage in a battle of good and evil with Yang Jiulang. In rehearsal photos, Guo Degang is seen personally guiding the practice, which fans view as a certification of his status as a “direct disciple.”
This crisis public relations strategy is laden with intricacies. Deyun Society shifted the focus of public opinion from personal ethics to professional ability, using stage prowess to counter negative news. When Qin Xiaoxian choked up while reciting the line “The greatest pain in the world is the betrayal of trust” during his premiere in Hangzhou, the audience collectively shed tears—whether it was an explosion of acting or genuine emotion has blurred the lines between drama and reality.
Fan Wars: Faith Battles in the Data Era
The “die-hard” behavior of fan groups creates a unique landscape. Even amidst a flurry of solid evidence, the forums continue to produce meticulously edited stage photos, with the topic #OldQinHasStarryEyes# accumulating over 1 billion views. Some student fans even pawned their phones to buy tickets for the play, leaving messages like “I want to prove his value with box office sales.” In contrast, the “anti-fan counterattack faction” has been frantically editing clips of Qin Xiaoxian’s variety show appearances, adding subtitles like “Time Management Master” for viral dissemination.
This faith war has given rise to absurd phenomena. A major fan forged an official media commentary article to clear his name, only to be investigated by the internet authorities; meanwhile, anti-fans formed a “truth excavation group” offering rewards for internal Deyun Society gossip. Under the game rules where traffic reigns supreme, right and wrong have long been replaced by the frenzy of trending topics.
Industry Reflection: The Transformation Dilemma of Comedy Idols
Qin Xiaoxian’s ups and downs reflect the growing pains of crosstalk actors. From rising to fame on “Happy Comedy People” to becoming a regular on variety shows, he attempted to replicate Guo Qilin’s path to film and television but fell into the dilemma of being labeled a “variety star.” Industry insiders reveal that his team had approached multiple web drama lead roles, all of which were declined by investors due to public sentiment risks. Now, returning to the stage with a play is both a retreat to a stronghold and a reluctant choice for a roundabout rescue.
Deyun Society’s star-making mechanism is also facing tests. In the context of the “Xiao” character disciples continuously collapsing, how to balance traditional troupe management with the operation of traffic stars has become a new topic for Guo Degang. The subtle change in the theater poster, moving Qin Xiaoxian from the sidelines to the center position, hints at the oscillation of this crosstalk empire between commercial interests and moral obligations.
To Be Continued: Unknowns Under the Clear Action
As the internet authorities’ “Clear Action” escalates, the Qin Xiaoxian incident has been included in the observation list of artists with bad records. Cultural commentators point out that his success or failure in making a comeback will serve as a barometer for the industry—success would validate the “strength redemption theory,” while failure would warn of the fragility of traffic stars. Notably, Xin Yuxi has officially filed a defamation lawsuit, and the court’s verdict could become the last straw that breaks the camel’s back.
On the night of the Deyun Society’s closing performance in Tianjin, Qin Xiaoxian bowed deeply to the audience for ten seconds. This moment, captured in slow motion, embodies both the relief of survival and the anxiety of an uncertain future. When the supporting actor handed him the microphone, he ultimately chose to sing the song “Voice Slow,” with a hoarse voice carrying the seemingly vague lines of the play: “Long hair stirs ripples, white cloth unfolds on the stone pier, the kappa holds the pole to ferry the ancient age…”“